A HIERARCHY BASED ACOUSTIC FRAMEWORK FOR AUDITORY SCENE ANALYSIS

The acoustic environment surrounding us is extremely dynamic and unstructured in nature. Humans exhibit a great ability at navigating these complex acoustic environments, and can parse a complex acoustic scene into its perceptually meaningful objects, referred to as ``auditory scene analysis". Current neuro-computational strategies developed for auditory scene analysis related tasks are primarily based on prior knowledge of acoustic environment and hence, fail to match human performance under realistic settings, i.e. the acoustic environment being dynamic in nature and presence of multiple competing auditory objects in the same scene. In this thesis, we explore hierarchy based computational frameworks that not only solve different auditory scene analysis related paradigms but also explain the processes driving these paradigms from physiological, psychophysical and computational viewpoint. In the first part of the thesis, we explore computational strategies that can extract varying degree of details from complex acoustic scene with an aim to capture non-trivial commonalities within a sound class as well as differences across sound classes. We specifically demonstrate that a rich feature space of spectro-temporal modulation representation complimented with markovian based temporal dynamics information captures the fine and subtle changes in the spectral and temporal structure of sound events in a complex and dynamic acoustic environment. We further extend this computational model to incorporate a biologically plausible network capable of learning a rich hierarchy of localized spectro-temporal bases and their corresponding long term temporal regularities from natural soundscape in a data driven fashion. We demonstrate that the unsupervised nature of the network yields physiologically and perceptually meaningful tuning functions that drive the organization of acoustic scene into distinct auditory objects. Next, we explore computational models based on hierarchical acoustic representation in the context of bottom-up salient event detection. We demonstrate that a rich hierarchy of local and global cues capture the salient details upon which the bottom-up saliency mechanisms operate to make a "new" event pop out in a complex acoustic scene. We further show that a top-down event specific knowledge gathered by scene classification framework biases bottom-up computational resources towards events of "interest" rather than any new event. We further extend the top-down framework in the context of modeling a broad and heterogeneous acoustic class. We demonstrate that when an acoustic scene comprises of multiple events, modeling the global details in the hierarchy as a mixture of temporal trajectories help to capture its semantic categorization and provide a detailed understanding of the scene. Overall, the results of this thesis improve our understanding of how a rich hierarchy of acoustic representation drives various auditory scene analysis paradigms and how to integrate multiple theories of scene analysis into a unified strategy, hence providing a platform for further development of computational scene analysis research

Multi-Modal Pre-Training for Automated Speech Recognition

Traditionally, research in automated speech recognition has focused on local-first encoding of audio representations to predict the spoken phonemes in an utterance. Unfortunately, approaches relying on such hyper-local information tend to be vulnerable to both local-level corruption (such as audio-frame drops, or loud noises) and global-level noise (such as environmental noise, or background noise) that has not been seen during training. In this work, we introduce a novel approach which leverages a self-supervised learning technique based on masked language modeling to compute a global, multi-modal encoding of the environment in which the utterance occurs. We then use a new deep-fusion framework to integrate this global context into a traditional ASR method, and demonstrate that the resulting method can outperform baseline methods by up to 7% on Librispeech; gains on internal datasets range from 6% (on larger models) to 45% (on smaller models).Comment: Presented at ICASSP 202

A HIERARCHY BASED ACOUSTIC FRAMEWORK FOR AUDITORY SCENE ANALYSIS

The acoustic environment surrounding us is extremely dynamic and unstructured in nature. Humans exhibit a great ability at navigating these complex acoustic environments, and can parse a complex acoustic scene into its perceptually meaningful objects, referred to as ``auditory scene analysis". Current neuro-computational strategies developed for auditory scene analysis related tasks are primarily based on prior knowledge of acoustic environment and hence, fail to match human performance under realistic settings, i.e. the acoustic environment being dynamic in nature and presence of multiple competing auditory objects in the same scene. In this thesis, we explore hierarchy based computational frameworks that not only solve different auditory scene analysis related paradigms but also explain the processes driving these paradigms from physiological, psychophysical and computational viewpoint. In the first part of the thesis, we explore computational strategies that can extract varying degree of details from complex acoustic scene with an aim to capture non-trivial commonalities within a sound class as well as differences across sound classes. We specifically demonstrate that a rich feature space of spectro-temporal modulation representation complimented with markovian based temporal dynamics information captures the fine and subtle changes in the spectral and temporal structure of sound events in a complex and dynamic acoustic environment. We further extend this computational model to incorporate a biologically plausible network capable of learning a rich hierarchy of localized spectro-temporal bases and their corresponding long term temporal regularities from natural soundscape in a data driven fashion. We demonstrate that the unsupervised nature of the network yields physiologically and perceptually meaningful tuning functions that drive the organization of acoustic scene into distinct auditory objects. Next, we explore computational models based on hierarchical acoustic representation in the context of bottom-up salient event detection. We demonstrate that a rich hierarchy of local and global cues capture the salient details upon which the bottom-up saliency mechanisms operate to make a "new" event pop out in a complex acoustic scene. We further show that a top-down event specific knowledge gathered by scene classification framework biases bottom-up computational resources towards events of "interest" rather than any new event. We further extend the top-down framework in the context of modeling a broad and heterogeneous acoustic class. We demonstrate that when an acoustic scene comprises of multiple events, modeling the global details in the hierarchy as a mixture of temporal trajectories help to capture its semantic categorization and provide a detailed understanding of the scene. Overall, the results of this thesis improve our understanding of how a rich hierarchy of acoustic representation drives various auditory scene analysis paradigms and how to integrate multiple theories of scene analysis into a unified strategy, hence providing a platform for further development of computational scene analysis research

A Gestalt inference model for auditory scene segregation.

Our current understanding of how the brain segregates auditory scenes into meaningful objects is in line with a Gestaltism framework. These Gestalt principles suggest a theory of how different attributes of the soundscape are extracted then bound together into separate groups that reflect different objects or streams present in the scene. These cues are thought to reflect the underlying statistical structure of natural sounds in a similar way that statistics of natural images are closely linked to the principles that guide figure-ground segregation and object segmentation in vision. In the present study, we leverage inference in stochastic neural networks to learn emergent grouping cues directly from natural soundscapes including speech, music and sounds in nature. The model learns a hierarchy of local and global spectro-temporal attributes reminiscent of simultaneous and sequential Gestalt cues that underlie the organization of auditory scenes. These mappings operate at multiple time scales to analyze an incoming complex scene and are then fused using a Hebbian network that binds together coherent features into perceptually-segregated auditory objects. The proposed architecture successfully emulates a wide range of well established auditory scene segregation phenomena and quantifies the complimentary role of segregation and binding cues in driving auditory scene segregation